Fourteen Documentary Directors are in Contention For the 2013 Margaret Mead Filmmaker Award
by AMNH on
“To cherish the life of the world...”—Margaret Mead
Fourteen filmmakers are eligible for the top honor at the 2013 Margaret Mead Film Festival, which runs from October 17 through October 20 and honors the legacy of groundbreaking anthropologist and Museum curator Margaret Mead (1901-1978),
The Margaret Mead Filmmaker Award recognizes documentary filmmakers who embody Mead’s spirit, energy, and innovation by offering a new perspective on a culture or community in their films, which will be making their U.S. or world premieres at the festival. The 2013 winner or winners will be announced at the festival’s closing-night ceremony on Sunday, October 20. Meet the jury here.
Stay tuned for more about the 2013 Mead Festival and its theme “See for Yourself,” and check out trailers for the films by the contenders on the right side of your screen.
Vincent Coen and Guillaume Vandenberghe directed Cinéma Inch’Allah (Cinema My Love), an intimate portrait of four young Belgian-Moroccan filmmakers.
Pegi Vail directed Gringo Trails, which makes its world premiere at the Mead Film Festival. Gringo Trails follows travelers’ routes through around the globe, revealing complex relationships between cultures and the evolution of cultural tourism.
Miriam Smith and Chris Pryor directed How Far is Heaven, a captivating story of three Catholic nuns, the last of their order living in a remote New Zealand village, and their relationship with the Maori community.
Uli Gaulke directed As Time Goes By in Shanghai, which follows members of Shanghai’s Peace Old Jazz Band, who have been playing together—and watching the city remake itself—since the 1940s.
Gerardo Barroso and Lisa Tillinger directed Calle López, a portrait of everyday life on downtown Mexico City’s bustling Calle López.
Lalita Krishna directed Mallamall, a look at how India’s Western-style retail revolution is upending centuries-old traditions of open-air markets in a collision between global and local capitalism.
Sebastien Mez directed Metamorphosen, which chronicles life near the plant that produced the first fissile material for nuclear weapons in the former Soviet Union, repeatedly irradiating the area.
Juliet Lamont directed Miss Nikki and the Tiger Girls, which traces the tensions and transformations in modern Myanmar (Burma) while following the journey of The Tiger Girls, a pop group.
Alicia Harrison directed Taxiway, making its U.S. premiere at the festival, which features the filmmaker’s intimate conversations with New York’s immigrant taxi drivers, offering a vivid portrait of the city’s hardships and allure. (Trailer forthcoming).
Sarah Gavron and David Katznelson directed A Village at the End of the World, a look at life in a remote Inuit village in Northern Greenland confronting challenges familiar to many rural communities against a dramatic backdrop of melting Arctic ice.
Kesang Tsetan directed Who Will Be a Gurkha? The film looks at the traditions of a prestigious, centuries-old Nepali mercenary unit, which features prominently in the imaginations of young Nepali boys.
The winner(s) will be announced on closing night.