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A Maori man (circa late 19th century - early 20th century) wearing
traditional markers of high status - facial tattoos, feather cloaks
and hair ornaments
photo credit: Mark and Carolyn Blackburn
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What is body art?
Brainstorm the ways people decorate, adorn, and reshape their bodies, both
in American culture and in parts of the world familiar to your students. Why
do they do it? Why does this topic provoke such strong reactions? How does
body art commemorate significant events as well as communicate ordinary
events during daily life?
Why is body art a powerful way of communicating who we are?
Begin by discussing the meaning of identity. How does body art communicate
who we are and what we believe? Most people identify with a number of
different groups. What are some of these groups? Are there symbols or
uniforms associated with these groups?
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How do you change your appearance when you are with different groups of
people? Friends, family, or others?
Ask students to write about their own marks of identity. These may be their
hairstyles, nail designs, or clothing. Some may have piercings or tattoos.
Why did they choose these adornments? How did their families react? Is there
a symbol, a color, or a piece of jewelry that identifies them as part of a
group? How do they personalize their look?
How do our ideas about beauty vary according to time, place, and individual
preference?
Generate a list of what students think is beautiful. Assuming their answers
differ, discuss to what degree that definition is individual and to what
degree it is culturally constructed. How do where we live, what we read, and
the moment in time in which we live affect our definition? Give examples.
How do we use body art to form judgments about individuals or groups?
Brainstorm a list of groups and subgroups that are recognized by some form
of body art. Think about how and why street gangs use body art to create
their image. How does their appearance affect what we think about them? What
has conditioned us to think this way? What do the judgments we make about
others tell us about ourselves? How can we learn to be tolerant by studying
body art?
What do specific images of body art convey?
Look at some images of objects and photographs used in the exhibition. How
have the bodies been marked? Are the markings temporary or permanent? Are
there clues that help you understand the reason for this form of body art?
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Peruvian doll with head-shaping board
photo credit: Denis Finnin |

©2000 American Museum of Natural History
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