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CES42, the Claremont School, sits on the Crotona Ridge
outcropping of Manhattan schist in the Bronx. Many of its
K-5 students could tell you that, along with the gripping
fact that its front steps are made of black slate formed
by a poisoned sea. "The slate formed in a shallow inland
sea next to the ancient Acadian mountain range, which once
stretched across New England. The sea floor was so stagnant
and oxygen-deprived that almost none of the biological
matter that accumulated on the bottom ever decomposed,
and no animals lived there making it a poisoned sea. The
kids love that," recounts Roberta Altman with a smile.
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Roberta Altman sits in front of a story quilt
made and given to her by her students. The quilt was modeled
after an Mbuti bark-cloth motif the students learned about
in the Hall of African Peoples at the AMNH.
© AMNH |
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a treasure of learning beneath your feet
Bank Street College consultant Roberta Altman
is the learning coordinator of the TASC (The After
School Corporation) partnership with the American
Museum of Natural History (AMNH). The purpose of
the partnership is to connect museum learning to on-site
school learning so that the school itself becomes
a museum site. In other words, as Roberta poetically
puts it, to connect the museum and the community "so
that people see the treasure of learning right beneath
their feet: in their own neighborhood, in an empty lot,
in how birds feed and nest and make a living in the city."
"The museum itself is just the visible evidence of
a whole way of looking and being in the world," Roberta
continues. "Behind all the exhibits is a question: Why is
the world the way it is? Why are we the way we are?" That
same question, she says, can shape the way we look at
ourselves and the world around us, whether we're in the
museum, or in the classroom, or sitting on the front steps
of our apartment building.
the museum is a place but also a process
That process is one of discovering and learning about
the world. In the museum it's manifested through exhibits
and expeditions, but this process can take place just about
anywhere. Under Roberta's guidance it does, in a cycle
of learning and sharing that goes back and forth between
the museum and the school community. "It's a frame of mind,"
she explains. "You can always go on an expedition. You can
exhibit what you know anywhere."
The process begins with developing questions and the
accumulation of knowledge. Last year, a group of kids came
to the Natural Science Center at the AMNH to look at an
exhibit on the geology of New York City. "They played
the 'What's in the Rock?' game; they looked at samples
of the Manhattan schist and Fordham gneiss that comes
jutting out in various places throughout the city. Then
they moved on to the New York State Environment Exhibit,
where they learned about glaciation. And then, because most
of the rock in New York City is metamorphic, they went on
to the Hall of Planet Earth to learn about the rock cycle,"
Roberta explains.
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Students from CES42, the Claremont School, hunt for evidence
of the poisoned sea in their school's front steps by
examining the slate layers (right), and then comparing their
results to their chart about the rock cycle (left).
© AMNH |
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a neighborhood scavenger hunt
Once the kids were back in school, the question was,
"Where are the rocks?" So the class went on a rock hunt.
"At the entrance of the school building, we found slate and
granite. A block and a half away from the school, in an empty
lot across from the Wonder Bread factory on Third Avenue,
we found a huge boulder of Manhattan schist, filled with mica
and garnet. And Crotona Park, two blocks away, was full
of Manhattan schist outcroppings covered with glacier scratches,"
Roberta reports.
Kids from another TASC afterschool she works with made
a display of their findings. "One kid was digging in his yard
in the Bronx with his dad, and his shovel hit something hard.
He said, 'Dad, something's here!' and dug up a hunk of schist
with garnets as big as your thumb," Roberta recounts. "That was
displayed as a 'Guest Rock,' with a drawer of its own." The
children made a brochure Guide to the Rocks in Our School
to accompany the display. "The kids see printed guides
in the museum, so they come away and realize they can create
guides to their school community: the school building itself,
the block it sits on, and the immediate neighborhood."
Another workshop to build this kind of community-museum connection
took place at a brand-new school. "The steps and plaza entrance
were made of granite from the Adirondacks, an ancient batholith,
some of the oldest exposed rock in North America," says Roberta.
"So the students come to the
Hall of
Planet Earth to find out all about the rock cycle. Then they
walk through the Theodore Roosevelt Rotonda, which is made
of stone from all over the world and all different geological
eras, and see a record of ancient sea bed fossils. Then they go
back and do a survey of the buildings around their school, and
in that way their whole neighborhood comes alive to them. They see
things they may have walked past over 1,000 times and never realized
the amazing stories they tell."
bringing it back to the museum
Roberta describes the TASC Partnership as "a holistic program.
It's really embedded in the knowledge that the students discover
and acquire," she explains. "First they learn from museum experiences.
Then they bring it back home and look to their community as
a resource. And then they bring what they know back to the museum.
Museum instructors help link learning and experiences at the Museum
and at the school sites to help children make the connections.
It's a continuous cycle of going back and forth."
The cycle might take four weeks or six weeks or two months.
It might originate with some questions in the classroom: What
are those birds doing on the window ledge? Where do they sleep?
During a museum field trip, the kids find out more about birds.
Back on site, they investigate, gather evidence, and develop
more questions; "The questions drive everything they do,"
Roberta asserts. Back at the museum again, the students have
a different mindset; they draw on their expertise, and their
inquiries are more focused. The kids also study how information
is presented, so they can set up their own exhibit in the classroom.
"It's like any good expedition: You come back to the museum with
more information and more questions." Whether the lesson's about
a weathered cornice, a flock of starlings, or the ecosystem of
an empty lot, Roberta's students learn to see the extraordinary
within the ordinary.
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