Frequently Asked Questions


What is the Margaret Mead Film & Video Festival?

The Margaret Mead Film & Video Festival is the largest showcase for international documentaries in the United States, encompassing a broad spectrum of work, from indigenous community media to experimental nonfiction. The Festival is distinguished by its outstanding selection of titles, which tackle diverse and challenging subjects and represent a range of issues and perspectives, and by the forums for discussion with filmmakers and speakers.

The Festival was founded by the American Museum of Natural History in 1977, in honor of pioneering anthropologist Margaret Mead on her seventy-fifth birthday and her fiftieth year at the Museum. A film festival represented an especially apt form with which to celebrate Mead's life, as she was one of the first anthropologists to recognize the significance of film for fieldwork. From 1936 to 1938, working among the Balinese with Gregory Bateson and cinematographer Jane Belo, Mead produced Trance and Dance in Bali, Learning to Dance in Bali, and Karba's First Years. She also produced films that examined child rearing from a cross-cultural perspective, including Bathing Babies in Three Cultures. The Festival occasionally screens Mead's films.

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Are all the films in the Festival made by anthropologists?

Most of the films and videos are produced by independent artists, however each year about 20% of the works screened have some anthropological input, whether it be through the director, producer, or researcher.

Festival programmers try to strike a balance among works produced by social scientists, independent film- and videomakers, students, and indigenous media-makers.

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How many titles are submitted each year?

Every year the Festival receives approximately 700 submissions from all over the world. Festival programmers learn about new works through attending other festivals, maintaining contacts with independent film- and videomakers and with film centers in the U.S. and abroad, and conducting an international call for entries. In 1992, the Festival wove video into its programming; today, nearly half of the submissions are in video format. The Festival is held in the fall, and the submission period is from January to mid-May. Beginning every January, entry forms can be downloaded from this Web site.

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How are the program themes designed?

The Mead Festival differs from a curated film event, in that not all themes and topics are pre-planned. Every year's Festival includes a few predetermined program themes: Examples have included "Fake Documentary," "International Film Collectives," and retrospectives of the work of various filmmakers. Other programs are created from the strongest submissions which have themes in common, and have included such topics as "Women and Islam," "Fathers and Sons," and "Manipulating Media." Regional and topical diversity are also significant factors in Festival programming.

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Who comes to the Festival?

As one of the few festivals in the U.S. devoted exclusively to nonfiction film, we draw a diverse audience that is interested in documentary cinema and in the featured topics and issues.

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Are there special features for video- and filmmakers?

Yes. The Festival provides an ideal venue for video- and filmmakers-question-and- answer sessions are scheduled around screenings, and symposia are held in conjunction with New York University's Department of Anthropology, Program in Media, Culture, and History. These offer in-depth discussion among independent video- and filmmakers, cinema-studies specialists, social scientists, and the general public about topics in film and the social sciences. Parties and gatherings throughout the Festival offer informal meeting places for filmmakers and people in the film industry.

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Are there programs for young adults?

Yes. Throughout the season, a high-school program offers opportunities for students in grades 10­12 to view films, engage in discussions, and learn about filmmaking and how to analyze film critically. Follow this link for more Information on our outreach programs.

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Does the Festival own the films and videos it screens?

The Festival does not own any of the titles, but most of the video- and filmmakers and directors permit preview videos to be held in the library of the American Museum of Natural History. It is possible to arrange for an on-site screening of titles from past Festivals. Please call 212-769-5419 for an appointment. If you are interested in renting or purchasing a title, you must contact the distributor directly. The distributors of each year's titles are listed on the Web site.

(The Films made by Margaret Mead are currently distributed by Penn State Audio Visual Services-800-826-0132.)

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Does the Festival occur only in New York City?

In 1992, the Festival developed the Margaret Mead Traveling Film & Video Festival. Each year a selection of titles from that year's Mead Festival travels to independent film and community centers, museums, and universities throughout the nation. Since 1997, the Traveling Festival has been featured at international sites as well. Please see Traveling Film & Video Festival for further details.

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How do I get to the Museum?

The Museum is located on Central Park West between 77th and 81st Streets.

By SUBWAY, take the 8th Avenue C or B to 81st Street, or take the Broadway Local #1/#9 to 79th Street, walk two blocks east on 79th Street to the Museum.

By BUS, take the M10 uptown or downtown to 81st Street and Central Park West, or take the M79 across town to same intersection. Please follow this link for a subway map.

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