Behind the Scenes Look at Making Our Senses

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What better way to get an insect’s-eye view of the world than to walk into a larger-than-life meadow? One of the galleries in the Museum’s special exhibition Our Senses: An Immersive Experience lets visitors see nature as a bee or butterfly, and reveals how the ability to detect UV light helps these animals find food—and each other.

How does this gallery let visitors experience the insect point of view? Here’s a behind the scenes look at how it was made.

 

Museum display containing larger-than-life models of butterflies, insects and flowers.
One of the galleries in the special exhibition Our Senses: An Immersive Experience re-creates a bustling meadow.
© AMNH/R. Mickens

A. Specs from Specimens

Model makers don’t have to go far for inspiration. The Museum’s bee collection includes nearly 500,000 specimens representing more than 7,000 identified species. That’s a large library to reference for details that photos and other images can’t provide. 

B. Highlighting with Light

Some Heliconius look just like another butterfly—except for ultraviolet marks on their wings that only others of their species can see. Human visitors can spot them when a UV light, which cycles on and off on a timer, floods the scene and reveals the secret signal. 

C. Action Poses

Jake Adams (pictured below) studied slow motion videos of butterflies in flight to capture how different species maneuver when landing on a flower. Heliconius butterflies tuck their legs next to their eyes and under their wings, while monarchs let theirs dangle. 

 

 

Closeup of hand using tweezers to attach fibers to a larger-than-life model of a bee.
Museum preparator Jason Brougham used static electricity to make synthetic fibers on model bees appear as fuzzy as the real thing.
© AMNH/R. Mickens

It’s Electric

A honeybee’s body is covered in nearly 3 million tiny hairs, which help it carry up to 30 percent of its own weight in pollen. To make sure the model bees looked their fuzziest, preparator Jason Brougham used synthetic fibers—aided by static electricity—to stand the strands up straight. 

 

 

Woman paints the petal on a larger-than-life flower with one hand while using her other hand to direct a uv light at the fresh paint.
Museum preparator Andrea Raphael painted patterns invisible to the naked eye on oversized flower models using a UV light.
© AMNH/R. Mickens

Invisible Paint

Bees and butterflies can see ultraviolet light, an adaptation that lets them spot “nectar targets” on nearby flowers or identify potential mates. Humans can’t. So how did preparators make models of UV-hued blooms? By shining a UV light while working, as Andrea Raphael is doing in the photo above. 

 

 

Man wearing protective latex gloves attaches a wing to a larger-than-life butterfly model.
Preparator Jake Adams created the exhibition’s models of Heliconius butterflies, which are 750 percent larger than real butterflies.
© AMNH/R. Mickens

Massive Models

At its longest, the wingspan of Heliconius butterflies is only about 3 inches. But to reveal details we’d normally miss on these tiny creatures and delicate plants, the models are 750 percent the size of the real thing.

 

Our Senses: An Immersive Experience is free for Members.

A version of this story originally appeared in the Winter 2018 issue of Rotunda, the Member magazine.